The Science of Splats

I have been working on an illustrated character for a long time, trying to envisage his macro world (he is very small). His name is Marvin and here is a glimpse of him:

I wanted some paint splat textures to use as background elements. This coincided with an episode of creative funk. It turns out that what I needed to do to regain my illustration mojo was to throw some paint around:

These splats were made flicking paint from a paintbrush about 1 inch wide. They are useful but despite me scanning them at 1200dpi I still wasn't getting a big enough splat for my requirements.

I then tried pouring some paint from a height:

This is better though the paint has a bit too much water in it. Good splat spread (also on my shoes, and the road, but at least I went outside right?).

I love working digitally but also adding real textures and ink lines to my work. It always give the resulting images more freshness, character and life. Marvin is made up of crisp vector lines, ink lines, finger prints and smudges.

It was all great fun and brought up memories of my art school floor which was multi-coloured with paint splats. The only trouble is it makes me want to get big pots of paint, a step ladder and a large bare floor with white walls and just go for it!